Sunder me from my bones, O sword of God
Till they stand stark and strange as do the trees;
That I whose heart goes up with the soaring woods
May marvel as much at these.
Sunder me from my blood that in the dark
I hear that red ancestral river run
Like branching buried floods that find the sea
But never see the sun.
Give me miraculous eyes to see my eyes
Those rolling mirrors made alive in me
Terrible crystals more incredible
Than all the things they see
Sunder me from my soul, that I may see
The sins like streaming wounds, the life's brave beat
Till I shall save myself as I would save
A stranger in the street.
This, like virtually all the poetry I post for friday, I found here.
Friday, July 27, 2007
Monday, July 23, 2007
More from Orthodoxy
It is impossible without humility to enjoy anything--even pride.
A man was meant to be doubtful about himself, but undoubting about the truth; this has been exactly reversed. Nowadays the part of a man that a man does assert is exactly the part he ought not to assert--himself. The part he doubts is exactly the part he ought not to doubt--the Divine Reason.
The old humility was a spur that prevented a man from stopping;not a nail in his boot that prevented him from going on.
Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.
There is a thought that stops thought. That is the only thought that ought to be stopped. That is the ultimate evil against which all religious authority was aimed. It only appears at the end of decadent ages like our own: and alreadyMr. H.G.Wells has raised its ruinous banner; he has written a delicate piece of scepticism called "Doubts of the Instrument."In this he questions the brain itself, and endeavours to remove all reality from all his own assertions, past, present, and to come. But it was against this remote ruin that all the military systems in religion were originally ranked and ruled. The creeds and the crusades, the hierarchies and the horrible persecutions were not organized, as is ignorantly said, for the suppression of reason. They were organized for the difficult defence of reason. Man, by a blind instinct, knew that if once things were wildly questioned, reason could be questioned first. The authority of priests to absolve, the authority of popes to define the authority, even of inquisitors to terrify: these were all only dark defences erected round one central authority, more undemonstrable, more supernatural than all--the authority of a man to think. We know now that this is so;we have no excuse for not knowing it. For we can hear scepticism crashing through the old ring of authorities, and at the same moment we can see reason swaying upon her throne. In so far as religion is gone, reason is going. For they are both of the same primary and authoritative kind. They are both methods of proof which cannot themselves be proved. And in the act of destroying the idea of Divine authority we have largely destroyed the idea of that human authority by which we do a long-division sum. With a long and sustained tug we have attempted to pull the mitre off pontifical man; and his head has come off with it.
A man was meant to be doubtful about himself, but undoubting about the truth; this has been exactly reversed. Nowadays the part of a man that a man does assert is exactly the part he ought not to assert--himself. The part he doubts is exactly the part he ought not to doubt--the Divine Reason.
The old humility was a spur that prevented a man from stopping;not a nail in his boot that prevented him from going on.
Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.
There is a thought that stops thought. That is the only thought that ought to be stopped. That is the ultimate evil against which all religious authority was aimed. It only appears at the end of decadent ages like our own: and alreadyMr. H.G.Wells has raised its ruinous banner; he has written a delicate piece of scepticism called "Doubts of the Instrument."In this he questions the brain itself, and endeavours to remove all reality from all his own assertions, past, present, and to come. But it was against this remote ruin that all the military systems in religion were originally ranked and ruled. The creeds and the crusades, the hierarchies and the horrible persecutions were not organized, as is ignorantly said, for the suppression of reason. They were organized for the difficult defence of reason. Man, by a blind instinct, knew that if once things were wildly questioned, reason could be questioned first. The authority of priests to absolve, the authority of popes to define the authority, even of inquisitors to terrify: these were all only dark defences erected round one central authority, more undemonstrable, more supernatural than all--the authority of a man to think. We know now that this is so;we have no excuse for not knowing it. For we can hear scepticism crashing through the old ring of authorities, and at the same moment we can see reason swaying upon her throne. In so far as religion is gone, reason is going. For they are both of the same primary and authoritative kind. They are both methods of proof which cannot themselves be proved. And in the act of destroying the idea of Divine authority we have largely destroyed the idea of that human authority by which we do a long-division sum. With a long and sustained tug we have attempted to pull the mitre off pontifical man; and his head has come off with it.
Saturday, July 21, 2007
In case you can't read what I wrote on the cartoon, (and you'd have to be some kind of superhero to be able to) this is what that miniscule print says:
"Lying in bed would be an altogether perfect and supreme experience if only one had a colored pencil long enough to draw on the ceiling."
G.K. Chesterton
In my cartoon, I have granted Gilbert's wish and have given him a five foot long pencil.
Friday, July 20, 2007
Poetry Friday-The Ballad of St. Barbara
Last friday was again crazy, again poetry friday was forgotten and so again I must beg your pardon. Today's poem is quite long, so mayhap it will count for two.
THE BALLAD OF ST. BARBARA
(St Barbara is the patron saint of gunners, and those in dangerof sudden death.)
When the long grey lines came flooding upon Paris in the plain,
We stood and drank of the last free air we never could taste again:
They had led us back from the lost battle, to halt we knew not where
And stilled us: and our gaping guns were dumb with our despair.
The grey tribes flowed for ever from the infinite lifeless lands
And a Norman to a Breton spoke, his chin upon his hands.
"There was an end to Ilium; and an end came to Rome;
And a man plays on a painted stage in the land that he calls home;
Arch after arch of triumph, but floor beyond falling floor,
That lead to a low door at last; and beyond that is no door."
And the Breton to the Norman spoke, like a small child spoke he,
And his sea-blue eyes were empty as his home beside the sea:
"There are more windows in one house than there are eyes to see,
There are more doors in a man's house, but God has hid the key:
Ruin is a builder of windows; her legend witnesseth
Barbara, the saint of gunners, and a stay in sudden death."
It seemed the wheel of the world stood still an instant in its turning,
More than the kings of the earth that turned with the turning of Valmy mill:
While trickled the idle tale and the sea-blue eyes were burning,
Still as the heart of a whirlwind the heart of the world stood still.
"Barbara the beautiful
Had praise of tongue and pen:
Her hair was like a summer night
Dark and desired of men.
Her feet like birds from far away
That linger and light in doubt;
And her face was like a window
Where a man's first love looked out.
Her sire was master of many slaves,
A hard man of his hands;
They built a tower about her
In the desolate golden lands,
Sealed as the tyrants sealed their tombs,
Planned with an ancient plan,
And set two windows in the tower
Like the two eyes of a man."
Our guns were set towards the foe; we had no word for firing.
Grey in the gateway of St Gond the Guard of the tyrant shone;
Dark with the fate of a falling star, retiring and retiring,
The Breton line went backward and the Breton tale went on.
"Her father had sailed across the sea
For the harbour of Africa
When all the slaves took up their tools
For the bidding of Barbara.
She smote the bare wall with her hand
And bade them smite again;
She poured them wealth of wine and meat
To stay them in their pain.
And cried through the lifted thunder
Of thronging hammer and hod
"Throw open the third window
In the third name of God."
Then the hearts failed and the tools fell,
And far towards the foam,
Men saw a shadow on the sands
And her father coming home."
Speak low and low, along the line the whispered word is flying,
Before the touch, before the time, we may not loose a breath:
Their guns must mash us to the mire and there be no replying,
Till the hand is raised to fling us for the final dice to death.
""There were two windows in your tower,
Barbara, Barbara,
For all between the sun and moon
In the lands of Africa.
Hath a man three eyes, Barbara,
A bird three wings,
That you have riven roof and wall
To look upon vain things?"
Her voice was like a wandering thing
That falters yet is free,
Whose soul has drunk in a distant land
Of the rivers of liberty.
"There are more wings than the wind knows
Or eyes that see the sun
In the light of the lost window
And the wind of the doors undone.
For out of the first lattice
Are the red lands that break
And out of the second lattice
Sea like a green snake,
But out of the third lattice
Under low eaves like wings
Is a new corner of the sky
And the other side of things."
It opened in the inmost place an instant beyond uttering,
A casement and a chasm and a thunder of doors undone,
A seraph's strong wing shaken out the shock of its unshuttering,
That split the shattered sunlight from a light beyond the sun.
"Then he drew sword and drave her
Where the judges sat and said,
"Caesar sits above the gods,
Barbara the maid.
Caesar hath made a treaty
With the moon and with the sun,
All the gods that men can praise
Praise him every one.
There is peace with the anointed
Of the scarlet oils of Bel,
With the Fish God,
where the whirlpoolIs a winding stair to hell,
With the pathless pyramids of slime,
Where the mitred negro lifts
To his black cherub in the cloud
Abominable gifts,
With the leprous silver cities
Where the dumb priests dance and nod,
But not with the three windows
And the last name of God.""
They are firing, we are falling, and the red skies rend and shiver us,
Barbara, Barbara, we may not loose a breath -
Be at the bursting doors of doom, and in the dark deliver us,
Who loosen the last window on the sun of sudden death.
"Barbara the beautiful
Stood up as queen set free,
Whose mouth is set to a terrible cup
And the trumpet of liberty.
"I have looked forth from a window
That no man now shall bar,
Caesar's toppling battle-towers
Shall never stretch so far.
The slaves are dancing in their chains,
The child laughs at the rod,
Because of the bird of the three wings,
And the third face of God."
The sword upon his shoulder
Shifted and shone and fell,
And Barbara lay very small
And crumpled like a shell."
What wall upon what hinges turned stands open like a door?
Too simple for the sight of faith, too huge for human eyes,
What light upon what ancient way shines to a far-off floor.
The line of the lost land of France or the plains of Paradise?
"Caesar smiled above the gods
His lip of stone was curled,
His iron armies wound like chains
Round and round the world,
And the strong slayer of his own
That cut down flesh for grass,
Smiled too, and went to his own tower
Like a walking tower of brass,
And the songs ceased and the slaves were dumb;
And far towards the foam
Men saw a shadow on the sands;
And her father coming home...
Blood of his blood upon the sword
Stood red but never dry.
He wiped it slowly, till the blade
Was blue as the blue sky.
But the blue sky split with a thunder-crack,
Spat down a blinding brand,
And all of him lay black and flat
As his shadow on the sand."
The touch and the tornado; all our guns give tongue together,
St Barbara for the gunnery and God defend the right,
They are stopped and gapped and battered as we blast away the weather,
Building window upon window to our lady of the light.
For the light is come on Liberty, her foes are falling, falling,
They are reeling, they are running, as the shameful years have run,
She is risen for all the humble, she has heard the conquered calling,
St Barbara of the Gunners, with her hand upon the gun.
They are burst asunder in the midst that eat of their own flatteries,
Whose lip is curled to order as its barbered hair is curled...
Blast of the beauty of sudden death, St Barbara of the batteries!
That blow the new white window in the wall of all the world.
For the hand is raised behind us, and the bolt smites hard
Through the rending of the doorways, through the death-gap of the Guard,
For the cry of the Three Colours is in Conde and beyond
And the Guard is flung for carrion in the graveyard of St Gond,
Through Mondemont and out of it, through Morin marsh and on
With earthquake of salutation the impossible thing is gone,
Gaul, charioted and charging, great Gaul upon a gun,
Tip-toe on all her thousand years and trumpeting to the sun:
As day returns, as death returns, swung backwards and swung home,
Back on the barbarous reign returns the battering-ram of Rome.
While that the east held hard and hot like pincers in a forge,
Came like the west wind roaring up the cannon of St George,
When the hunt is up and racing over stream and swamp and tarn
And their batteries, black with battle, hold the bridgeheads of the Marne,
And across the carnage of the Guard, by Paris in the plain,
The Normans to the Bretons cried and the Bretons cheered again...
But he that told the tale went home to his house beside the sea
And burned before St Barbara, the light of the windows three,
Three candles for an unknown thing, never to come again,
That opened like the eye of God on Paris in the plain.
THE BALLAD OF ST. BARBARA
(St Barbara is the patron saint of gunners, and those in dangerof sudden death.)
When the long grey lines came flooding upon Paris in the plain,
We stood and drank of the last free air we never could taste again:
They had led us back from the lost battle, to halt we knew not where
And stilled us: and our gaping guns were dumb with our despair.
The grey tribes flowed for ever from the infinite lifeless lands
And a Norman to a Breton spoke, his chin upon his hands.
"There was an end to Ilium; and an end came to Rome;
And a man plays on a painted stage in the land that he calls home;
Arch after arch of triumph, but floor beyond falling floor,
That lead to a low door at last; and beyond that is no door."
And the Breton to the Norman spoke, like a small child spoke he,
And his sea-blue eyes were empty as his home beside the sea:
"There are more windows in one house than there are eyes to see,
There are more doors in a man's house, but God has hid the key:
Ruin is a builder of windows; her legend witnesseth
Barbara, the saint of gunners, and a stay in sudden death."
It seemed the wheel of the world stood still an instant in its turning,
More than the kings of the earth that turned with the turning of Valmy mill:
While trickled the idle tale and the sea-blue eyes were burning,
Still as the heart of a whirlwind the heart of the world stood still.
"Barbara the beautiful
Had praise of tongue and pen:
Her hair was like a summer night
Dark and desired of men.
Her feet like birds from far away
That linger and light in doubt;
And her face was like a window
Where a man's first love looked out.
Her sire was master of many slaves,
A hard man of his hands;
They built a tower about her
In the desolate golden lands,
Sealed as the tyrants sealed their tombs,
Planned with an ancient plan,
And set two windows in the tower
Like the two eyes of a man."
Our guns were set towards the foe; we had no word for firing.
Grey in the gateway of St Gond the Guard of the tyrant shone;
Dark with the fate of a falling star, retiring and retiring,
The Breton line went backward and the Breton tale went on.
"Her father had sailed across the sea
For the harbour of Africa
When all the slaves took up their tools
For the bidding of Barbara.
She smote the bare wall with her hand
And bade them smite again;
She poured them wealth of wine and meat
To stay them in their pain.
And cried through the lifted thunder
Of thronging hammer and hod
"Throw open the third window
In the third name of God."
Then the hearts failed and the tools fell,
And far towards the foam,
Men saw a shadow on the sands
And her father coming home."
Speak low and low, along the line the whispered word is flying,
Before the touch, before the time, we may not loose a breath:
Their guns must mash us to the mire and there be no replying,
Till the hand is raised to fling us for the final dice to death.
""There were two windows in your tower,
Barbara, Barbara,
For all between the sun and moon
In the lands of Africa.
Hath a man three eyes, Barbara,
A bird three wings,
That you have riven roof and wall
To look upon vain things?"
Her voice was like a wandering thing
That falters yet is free,
Whose soul has drunk in a distant land
Of the rivers of liberty.
"There are more wings than the wind knows
Or eyes that see the sun
In the light of the lost window
And the wind of the doors undone.
For out of the first lattice
Are the red lands that break
And out of the second lattice
Sea like a green snake,
But out of the third lattice
Under low eaves like wings
Is a new corner of the sky
And the other side of things."
It opened in the inmost place an instant beyond uttering,
A casement and a chasm and a thunder of doors undone,
A seraph's strong wing shaken out the shock of its unshuttering,
That split the shattered sunlight from a light beyond the sun.
"Then he drew sword and drave her
Where the judges sat and said,
"Caesar sits above the gods,
Barbara the maid.
Caesar hath made a treaty
With the moon and with the sun,
All the gods that men can praise
Praise him every one.
There is peace with the anointed
Of the scarlet oils of Bel,
With the Fish God,
where the whirlpoolIs a winding stair to hell,
With the pathless pyramids of slime,
Where the mitred negro lifts
To his black cherub in the cloud
Abominable gifts,
With the leprous silver cities
Where the dumb priests dance and nod,
But not with the three windows
And the last name of God.""
They are firing, we are falling, and the red skies rend and shiver us,
Barbara, Barbara, we may not loose a breath -
Be at the bursting doors of doom, and in the dark deliver us,
Who loosen the last window on the sun of sudden death.
"Barbara the beautiful
Stood up as queen set free,
Whose mouth is set to a terrible cup
And the trumpet of liberty.
"I have looked forth from a window
That no man now shall bar,
Caesar's toppling battle-towers
Shall never stretch so far.
The slaves are dancing in their chains,
The child laughs at the rod,
Because of the bird of the three wings,
And the third face of God."
The sword upon his shoulder
Shifted and shone and fell,
And Barbara lay very small
And crumpled like a shell."
What wall upon what hinges turned stands open like a door?
Too simple for the sight of faith, too huge for human eyes,
What light upon what ancient way shines to a far-off floor.
The line of the lost land of France or the plains of Paradise?
"Caesar smiled above the gods
His lip of stone was curled,
His iron armies wound like chains
Round and round the world,
And the strong slayer of his own
That cut down flesh for grass,
Smiled too, and went to his own tower
Like a walking tower of brass,
And the songs ceased and the slaves were dumb;
And far towards the foam
Men saw a shadow on the sands;
And her father coming home...
Blood of his blood upon the sword
Stood red but never dry.
He wiped it slowly, till the blade
Was blue as the blue sky.
But the blue sky split with a thunder-crack,
Spat down a blinding brand,
And all of him lay black and flat
As his shadow on the sand."
The touch and the tornado; all our guns give tongue together,
St Barbara for the gunnery and God defend the right,
They are stopped and gapped and battered as we blast away the weather,
Building window upon window to our lady of the light.
For the light is come on Liberty, her foes are falling, falling,
They are reeling, they are running, as the shameful years have run,
She is risen for all the humble, she has heard the conquered calling,
St Barbara of the Gunners, with her hand upon the gun.
They are burst asunder in the midst that eat of their own flatteries,
Whose lip is curled to order as its barbered hair is curled...
Blast of the beauty of sudden death, St Barbara of the batteries!
That blow the new white window in the wall of all the world.
For the hand is raised behind us, and the bolt smites hard
Through the rending of the doorways, through the death-gap of the Guard,
For the cry of the Three Colours is in Conde and beyond
And the Guard is flung for carrion in the graveyard of St Gond,
Through Mondemont and out of it, through Morin marsh and on
With earthquake of salutation the impossible thing is gone,
Gaul, charioted and charging, great Gaul upon a gun,
Tip-toe on all her thousand years and trumpeting to the sun:
As day returns, as death returns, swung backwards and swung home,
Back on the barbarous reign returns the battering-ram of Rome.
While that the east held hard and hot like pincers in a forge,
Came like the west wind roaring up the cannon of St George,
When the hunt is up and racing over stream and swamp and tarn
And their batteries, black with battle, hold the bridgeheads of the Marne,
And across the carnage of the Guard, by Paris in the plain,
The Normans to the Bretons cried and the Bretons cheered again...
But he that told the tale went home to his house beside the sea
And burned before St Barbara, the light of the windows three,
Three candles for an unknown thing, never to come again,
That opened like the eye of God on Paris in the plain.
Thursday, July 19, 2007
The Oracle of the Dog
I've just finished reading The incredulity of Father Brown, and this was one of the parts I most liked:
‘The dog could almost have told you the story, if he could talk,’ said the priest. ‘All I complain of is that because he couldn’t talk you made up his story for him, and made him talk with the tongues of men and angels. It’s part of something I’ve noticed more and more in the modern world, appearing in all sorts of newspaper rumours and conversational catchwords; something that’s arbitrary without being authoritative. People readily swallow the untested claims of this, that, or the other. It’s drowning all your old rationalism and scepticism, it’s coming in like a sea; and the name of it is superstition.’ He stood up abruptly, his face heavy with a sort of frown, and went on talking almost as if he were alone. ‘It’s the first effect of not believing in God that you lose your common sense and can’t see things as they are. Anything that anybody talks about, and says there’s a good deal in it, extends itself indefinitely like a vista in a nightmare. And a dog is an omen, and a cat is a mystery, and a pig is a mascot, and a beetle is a scarab, calling up all the menagerie of polytheism from Egypt and old India; Dog Anubis and great green-eyed Pasht and all the holy howling Bulls of Bashan; reeling back to the bestial gods of the beginning, escaping into elephants and snakes and crocodiles; and all because you are frightened of four words:
‘He was made Man’.
‘The dog could almost have told you the story, if he could talk,’ said the priest. ‘All I complain of is that because he couldn’t talk you made up his story for him, and made him talk with the tongues of men and angels. It’s part of something I’ve noticed more and more in the modern world, appearing in all sorts of newspaper rumours and conversational catchwords; something that’s arbitrary without being authoritative. People readily swallow the untested claims of this, that, or the other. It’s drowning all your old rationalism and scepticism, it’s coming in like a sea; and the name of it is superstition.’ He stood up abruptly, his face heavy with a sort of frown, and went on talking almost as if he were alone. ‘It’s the first effect of not believing in God that you lose your common sense and can’t see things as they are. Anything that anybody talks about, and says there’s a good deal in it, extends itself indefinitely like a vista in a nightmare. And a dog is an omen, and a cat is a mystery, and a pig is a mascot, and a beetle is a scarab, calling up all the menagerie of polytheism from Egypt and old India; Dog Anubis and great green-eyed Pasht and all the holy howling Bulls of Bashan; reeling back to the bestial gods of the beginning, escaping into elephants and snakes and crocodiles; and all because you are frightened of four words:
‘He was made Man’.
Wednesday, July 11, 2007
I'm Reading Orthodoxy
Buddhism is centripetal, but Christianity is centrifugal: it breaks out. For the circle is perfect and infinite in its nature: but it is fixed for ever in its size; it can never be larger or smaller. But the cross, though it has at its heart a collision and contradiction, can extend its four arms forever without altering its shape. Because it has paradox in its centre it can grow without changing. The circle returns upon itself and is bound. The cross opens its four arms to the winds; it is a signpost for free travelers.
(Chap. 2: The Maniac, Orthodoxy)
(Chap. 2: The Maniac, Orthodoxy)
Friday, July 06, 2007
And Before I Forget Again...
... Poetry Friday!!!!!!!!!!!!!!
The Wise Men
Step softly, under snow or rain,
To find the place where men can pray;
The way is all so very plain
That we may lose the way.
Oh, we have learnt to peer and pore
On tortured puzzles from our youth,
We know all the labyrinthine lore,
We are the three wise men of yore,
And we know all things but truth.
We have gone round and round the hill
And lost the wood among the trees,
And learnt long names for every ill,
And serve the made gods, naming still
The furies the Eumenides.
The gods of violence took the veil
Of vision and philosophy,
The Serpent that brought all men bale,
He bites his own accursed tail,
And calls himself Eternity.
Go humbly ... it has hailed and snowed...
With voices low and lanterns lit;
So very simple is the road,
That we may stray from it.
The world grows terrible and white,
And blinding white the breaking day;
We walk bewildered in the light,
For something is too large for sight,
And something much too plain to say.
The Child that was ere worlds begun
(... We need but walk a little way,
We need but see a latch undone...)
The Child that played with moon and sun
Is playing with a little hay.
The house from which the heavens are fed,
The old strange house that is our own,
Where trick of words are never said,
And Mercy is as plain as bread,
And Honour is as hard as stone.
Go humbly, humble are the skies,
And low and large and fierce the Star;
So very near the Manger lies
That we may travel far.
Hark! Laughter like a lion wakes
To roar to the resounding plain.
And the whole heaven shouts and shakes,
For God Himself is born again,
And we are little children walking
Through the snow and rain.
The Wise Men
Step softly, under snow or rain,
To find the place where men can pray;
The way is all so very plain
That we may lose the way.
Oh, we have learnt to peer and pore
On tortured puzzles from our youth,
We know all the labyrinthine lore,
We are the three wise men of yore,
And we know all things but truth.
We have gone round and round the hill
And lost the wood among the trees,
And learnt long names for every ill,
And serve the made gods, naming still
The furies the Eumenides.
The gods of violence took the veil
Of vision and philosophy,
The Serpent that brought all men bale,
He bites his own accursed tail,
And calls himself Eternity.
Go humbly ... it has hailed and snowed...
With voices low and lanterns lit;
So very simple is the road,
That we may stray from it.
The world grows terrible and white,
And blinding white the breaking day;
We walk bewildered in the light,
For something is too large for sight,
And something much too plain to say.
The Child that was ere worlds begun
(... We need but walk a little way,
We need but see a latch undone...)
The Child that played with moon and sun
Is playing with a little hay.
The house from which the heavens are fed,
The old strange house that is our own,
Where trick of words are never said,
And Mercy is as plain as bread,
And Honour is as hard as stone.
Go humbly, humble are the skies,
And low and large and fierce the Star;
So very near the Manger lies
That we may travel far.
Hark! Laughter like a lion wakes
To roar to the resounding plain.
And the whole heaven shouts and shakes,
For God Himself is born again,
And we are little children walking
Through the snow and rain.
A Few Half-Baked and Discombobulated Thoughts
(From Book 1 of The Ballad of the White Horse)
"The wise men know all evil things
Under the twisted trees,
Where the perverse in pleasure pine
And men are weary of green wine
And sick of crimson seas."
per·verse
1. willfully determined or disposed to go counter to what is expected or desired; contrary. 2.characterized by or proceeding from such a determination or disposition: a perverse mood. 3.wayward or cantankerous.
4.persistent or obstinate in what is wrong.
5.turned away from or rejecting what is right, good, or proper; wicked or corrupt.
Where the perverse in pleasure pine
The first defintition is just what it is fashionable to proclaim to be, to be "different". And I think many of the others could easily describe the popular mood. And what is more important in the eyes of the world then pleasure. Yet can merely pleasure bring happiness? "The real difference between the two words is that happiness is an end and pleasure can only be a means. " (GKC, of course as we saw in recent posting here) Real, satisfying happiness does not usually come through pleasure, but often through pain and suffering. After all:
"The men of the East may spell the stars,
And times and triumphs mark,
But the men signed of the cross of Christ
Go gaily in the dark.
"The men of the East may search the scrolls
For sure fates and fame,
But the men that drink the blood of God
Go singing to their shame.
Our own paths to Heaven are paved with sorrow and suffering, in the footsteps of the One who went before. "Can we drink of the cup that he drank from?"
"The wise men know all evil things
Under the twisted trees,
Where the perverse in pleasure pine
And men are weary of green wine
And sick of crimson seas."
per·verse
1. willfully determined or disposed to go counter to what is expected or desired; contrary. 2.characterized by or proceeding from such a determination or disposition: a perverse mood. 3.wayward or cantankerous.
4.persistent or obstinate in what is wrong.
5.turned away from or rejecting what is right, good, or proper; wicked or corrupt.
Where the perverse in pleasure pine
The first defintition is just what it is fashionable to proclaim to be, to be "different". And I think many of the others could easily describe the popular mood. And what is more important in the eyes of the world then pleasure. Yet can merely pleasure bring happiness? "The real difference between the two words is that happiness is an end and pleasure can only be a means. " (GKC, of course as we saw in recent posting here) Real, satisfying happiness does not usually come through pleasure, but often through pain and suffering. After all:
"The men of the East may spell the stars,
And times and triumphs mark,
But the men signed of the cross of Christ
Go gaily in the dark.
"The men of the East may search the scrolls
For sure fates and fame,
But the men that drink the blood of God
Go singing to their shame.
Our own paths to Heaven are paved with sorrow and suffering, in the footsteps of the One who went before. "Can we drink of the cup that he drank from?"
Thursday, July 05, 2007
ChesterCon 07- Saturday Ante Luch
After reading and discussing Animal Farm by George Orwell, I found the first talk on Saturday, Inside every thin man is a fat man struggling to get out; Chesterton and George Orwell, especially interesting. Not that it improved my opinion of GO very much, I didn't know much about him before and I can't say that to know him is to love him. Anyone that says Chesterton's ideas, such as the idea that people would like to be self-sufficient, are ridiculous is rather odd, especially if he then goes and does them. George Orwell did that. He said that Chesterton was quite wrong in thinking that people would want to be self-sufficient and then he went and tried to be self-sufficient for many years. To be fair, Animal Farm was interesting, although far from my favorite book in the world, and I'm sure others are too.
Let us turn to a brighter subject, that of Sigrid Undset, on whom the next talk was based. Geir Hasnes is a Norgwegian bibliographer and has a really cool accent, and his talk was fascinating. I really knew next to nothing about Sigrid Undset, but I have learned a great deal and so far I love her. How could you not love someone who read old Norse legends to her dying father in the old Norse language when she was only ten? She first discovered Chesterton when she read his book on Dickens. Then when she read Orthodoxy there was no way back, she was on her way to Catholicism. And so in 1924 on November 1st she became a Catholic. Her literary output earned her the Nobel Prize (the money she earned, she gave to mentally retarded children and to Catholic schools in Norway) and also the less comfortable position of number 1 on the Nazi extermination list in Norway, although it was complementary to her work I would say. This postition caused her to flee to America. There is of course much more to her story, but I'm not the one to tell it.
Thanks to this talk, I am now very interested to read her books now, which are, so I hear, a good cry.
More to follow shortly (within the year) on what came next.
Let us turn to a brighter subject, that of Sigrid Undset, on whom the next talk was based. Geir Hasnes is a Norgwegian bibliographer and has a really cool accent, and his talk was fascinating. I really knew next to nothing about Sigrid Undset, but I have learned a great deal and so far I love her. How could you not love someone who read old Norse legends to her dying father in the old Norse language when she was only ten? She first discovered Chesterton when she read his book on Dickens. Then when she read Orthodoxy there was no way back, she was on her way to Catholicism. And so in 1924 on November 1st she became a Catholic. Her literary output earned her the Nobel Prize (the money she earned, she gave to mentally retarded children and to Catholic schools in Norway) and also the less comfortable position of number 1 on the Nazi extermination list in Norway, although it was complementary to her work I would say. This postition caused her to flee to America. There is of course much more to her story, but I'm not the one to tell it.
Thanks to this talk, I am now very interested to read her books now, which are, so I hear, a good cry.
More to follow shortly (within the year) on what came next.
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